However, in the 2011 earthquake and tsunami that killed over 15,000 people in the Tohoku region, including over 1,200 people in Ĺtsuchi (about 10 percent of the town’s population), he threw access to the structure open to the public. The wind phone since, received more than 30,000 visitors.
On 7 January 2017, strong winds blew off the roof of the wind phone and broke the glass doors. On hearing about it, local carpenters, including ones who had previously visited the wind phone, swiftly volunteered to repair it on 10 January 2017 and the wind phone was reopened by the very next day.
In April 2018, when Itaru announced the wooden and metal parts of the booth were deteriorating due to wear and tear of time, even after a new coat of paint, and that he hoped to replace the old booth with a corrosion-resistant aluminium booth, he received donations totalling about one million yen. Sasaki installed a sturdier aluminium booth in August 2018.
Over the years, a number of replicas have been constructed around the world, and it has served as the inspiration for several novels and films.
Poignantly, voicemails are entrenched in public memories of US citizens of 9/11. On that fateful day in 2001, cell-phone networks were overloaded as people all across New York City tried to get hold of their friends and family. For a few of the victims inside the planes and towers, leaving a voicemail was their last way of communicating with their loved ones, their final goodbye.
In 2021, in the weeks leading up to the 20th anniversary of the September 11 attacks, an independent non-profit media, NPR set up an old phone booth, on the lines of Itaru’s Wind Phone, in Brooklyn Bridge Park — across the river from the new World Trade Center — inviting people to leave a voicemail for someone they lost that day.
Among hundreds who shared their stories and visited the phone booth were Trish Straine, whose husband died in the north tower just six days after their second son was born; and Matthew Bocchi, who was only nine years old when he lost his father in the attacks.
(This report is part of The Art Of Cause Project – a DraftCraft International initiative that documents Art Projects and Street Art campaigns that reach out, rectify and resolve strife, across the world)
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